"A sensual satire about Mexico, how it suffers and lives - a great tragic comedy!"

Reforma

“A round of thirteen scenic vignettes in a meta-theatrical role play:

Theatre as an escape and a playfull space in the face of transience ...

On the painful borderline situation of Mexican migrants, the sexual confusion

of Catholic priestsand cowboy-like political conspiracies are alluded to as well as our

own paradoxical attitude between hate and love, humor and horror that characterizes

our attitude towards finitude."

Noé Morales: La Jornada semanal

“In a powerfully ironic-satirical gesture, the director unites Posada's caricatures

in this vivid baroque spectacleabout the difficulties of life with the idea of ​​Hans Holbeins'

dance cycle. Cordelia Dvorák brilliantly portrayed the artist Posada in his own universe in

this macabre carnival. (...) A bittersweet mambo. "

Jorge Ricardo, La Jornada

“A death-dance imaginary-sheet between pleasure, shudder and critical satire (...) with a lot of dance and singing

on the catwalk between this world and the afterlife (...) as well as allusions to the political scandals of recent months (...)

which are held up to the public as a frightening caricature mirror.

This multifaceted chamber musical was celebrated with great enthusiasm by the festival audience.”

Ingrid Vega, La Crónica

“And so we live the 'borrowed' life of two gravediggers, the clerical meeting of Father Cobos and his valet Clavito, the“ preciosos ”and other personalities of current political life, which are wonderfully reinforced due to the great musicality and physical expression of Carlos Cobos and Arnoldo Picazzo, the vocal sensuality of Adriana Rios and the troubling presence of Marcelino Flores.”

Oswaldo Valdovinos, Uno más Uno